“Always, Already” is a captivating and innovative short film that explores the nature of identity and the ways in which it is shaped by experiences and memories. Starring Cara Buono (“Stranger Things”, “Mad Men”, “The Sopranos”), John Schoenthaler, and featuring Friedrich Ulfers, an expert in post-classical philosophy and its relation to modern science, the film takes viewers on a multi-layered journey through the complexities of the human experience.

Shot almost entirely on 16mm film, it seamlessly blends narrative, documentary, and animation elements. “Always, Already” creates a truly unique cinematic experience that blurs the lines between fiction and reality, jumping through time to explore the intricate and ever-changing nature of identity.

At the heart of the film is the silence between Cara and John, which draws on Wittgenstein’s idea that when words fail, we should remain silent. This introspective and meditative atmosphere invites viewers to reflect on their own assumptions about identity and selfhood.

Adding to the film’s emotional resonance is the story of a family murder-suicide, which is both a fictional narrative element and a factual piece of history. This serves as a powerful reminder of the fragility of identity and the ways in which our experiences can shape and redefine who we are.

Ulfers provides philosophical insight into the nature of identity, while Lester Gobrecht’s collection of old farm equipment serves as a metaphor for the collection of experiences and memories that make up our identities. Ukrainian animator Daryna Kudenko’s animation brings to life the abstract and intangible aspects of identity, illustrating how it can be both elusive and transformative.

“Always, Already” explores the complexities of the human experience in a truly innovative way. Its boundary-pushing blend of storytelling techniques creates a cinematic experience that is intellectually stimulating, emotionally resonant, and visually stunning. The film’s exploration of identity and selfhood is both thought-provoking and deeply moving, leaving a lasting impression on audiences and sparking conversations about what it means to be human.

Directed by Ken Sackheim (USA)