The film is divided into 8 acts that make up an abstract and associative plot.
The main character of the film that appears in most scenes is the bubble. It is a kind of representation of a memory that is going to fade away but refuses to do so, a physical metaphor for the memory of a mother figure, or the source of things. it comes and goes and appears in various acts where there is always something mesmerizing about it which is in a kind of danger of the fragile and the vulnerable. The bubble can burst at any moment and disappear, but when it exists it has a reflection of the surrounding (mental) happenings.
The bubble moves in several systems in different spaces. The spaces sometimes resemble a theater stage with a concrete floor and sometimes deep water or a lake surface. In each act, other characters join, and create a kind of dance that always ends with the bubble crashing or disappearing.
Except for the last act, there is no “camera movement”, the point of view is fixed and reminds the audience’s view of a theater or dance stage. In each act, a kind of abstract plot takes place that is related to the soundtrack, but not in a direct or didactic way. Key characters such as the brain, appear in different situations sometimes in pink colors and sometimes as a hairy brain. The brain, for example, embodies a kind of consciousness or reason that also gradually disintegrates in the process of literal oblivion and darkness. Darkness in the ability to remember the mother figure and darkness in the space of the film. The internal logic of the events is a kind of struggle between different forces or elements; Freedom and ephemeral quality (the butterflies), consciousness and awareness (the mind), the power that threatens to destroy everything (the burning stick), the stubborn dance of life (the sticks/strings), the metaphorical house (the gaudy structure), the bubble (the mother’s memory), the warping iron (pain and memories difficult).

Directed by Eitan Ben Moshe (Israel)